Content Creator

Content Creator writes and designs a post for you. You hand it a topic, a piece of text or a link, and it returns a full carousel: an opening slide, middle slides and a closing slide. You then edit it like a design tool and export it as images or a PDF. Reach for it when you know what you want to say and do not want to lay out ten slides by hand. The module page is the short version of what follows.

Before you start#

You do not need a connected social account here. Nothing is published from this module. Everything lives under Studio in the left navigation: Create, My Content and Templates.

• Generating text costs credits. The price rides on the Generate button, and it is only taken once the model has actually returned something usable. Current prices are on the pricing page.
• Everything else in the editor is free: slides, layouts, palettes, fonts, patterns, images, templates. Exports cost no credits either, but your plan includes a number of renders per calendar month, resetting on the 1st.

Two smaller conditions: on the Free plan every export carries a discreet mark, and the per-field AI touch-ups inside the editor need a brand voice, which you set up in Workspace and which is a paid-plan feature. You can generate, edit and export perfectly well without one.

Generate your first carousel#

1. Open Studio → Create. The top row asks what you are making: pick Carousel or Single Image. Text Post and Infographic are visible with a "Coming soon" badge. That is deliberate, so you know they exist and are not yet buildable.
2. Choose how to feed it, using the three tabs: By Topic (one line describing the subject), By Text (paste a paragraph or a whole article) or By URL (a link, from which the readable content is extracted for you, including from pages that need JavaScript to render).
3. Set the rest below: how many slides (twenty at most), the platform you have in mind, the export format, a brand voice, a template, the language. The language follows your selected brand voice until you pick one yourself, after which it stays where you put it.
4. Optional: switch on Custom instructions and say what to include, what to avoid, what tone to hit.
5. Press Generate & Review. It takes a few seconds.
6. A review step opens. Nothing has been saved yet. Retitle the piece, edit any heading or body, move slides up and down, delete one you do not want, or regenerate a single middle slide, which is free. Regenerating the whole carousel is a fresh generation and charges again.
7. Press Confirm & Open Editor. Only now is the piece written to your library, as a Draft, and the visual editor opens on it.

Because the charge happens when the text comes back, discarding a draft you dislike does not return the credits. If one slide is the problem, regenerate that slide instead. It is free.

If you would rather build the thing yourself, Start Blank skips generation and drops you into the editor with empty slides in the type and format you chose.

Shape it in the editor#

The canvas in the middle is not an approximation. It is the same rendering engine the export uses, scaled to fit your screen. What you see is what comes out of the file.

Down the left is a rail of panels: AI, Slide Settings, Text, Style, Author and Widgets. Style holds backgrounds, palettes and patterns; Text holds fonts, sizes and alignment; Author is your name, logo and where they sit; Widgets covers the slide counter and the swipe prompt. Slide Settings applies to the slide you are on, the rest to the whole piece unless a slide overrides it.

A few things that are easy to miss:

• Select any text on a slide and a small menu appears. Alongside italic, underline and the highlighter colour it offers AI touch-ups: Rephrase, Fix Spelling & Grammar, Make Shorter, Make Longer, Simplify Language, or your own instruction. Each one costs credits, and the price is stated once at the top of that menu.
• A touch-up never overwrites you silently. The suggestion arrives as an overlay on the slide with Accept, Retry and a discard button. Nothing changes until you accept.
• Images come from one picker with three tabs: your media library, a fresh upload, or an Unsplash search.
• Saving is automatic. The header shows "Saving…" then "Saved". Ctrl+S forces it, Ctrl+Z and Ctrl+Y undo and redo.
• Templates work both ways. Apply a saved template to what is open, or save the look you have just built as a new template, or over an existing one, without leaving the editor.
• Mark Ready is a flag you set by hand when a piece is finished. It changes nothing in the file, only how the piece is labelled in your library.

Export it#

Use the Export dropdown in the top right:

• Export PNG produces one image per slide. A carousel arrives as a ZIP with the slides numbered in order; a single image arrives as one PNG.
• Export PDF puts the whole deck into one document.
• Export HTML returns the rendered markup rather than a picture, prepared in the background.

The render happens on our servers at full resolution, not in your browser, so a long carousel takes a moment. The button shows "Exporting…" and the download starts by itself when it is ready. Keep the tab open until it does.

Where your work lives#

Studio → My Content is everything you have made. Each card shows a real preview of the first slides, not a placeholder, so you recognise a piece by looking at it. Search by title, filter by status or type, sort by name or by when you last touched it.

The status badge is one of four: Draft (the default), Ready (you marked it), Published and Scheduled. Hovering a card gives you Edit, Duplicate, Publish to Social and Delete. Duplicate is the honest way to try a second version of something that already works.

Publish to Social hands the piece to the composer with its title as the starting caption. It does not carry the slides across. Export the images first and attach them there. That flow is described in Publishing and Scheduling.

Studio → Templates holds two shelves: the ready-made designs, where Use This Template copies one into your own set, and your own, which you create from a preset or blank and can mark as default. A template stores a palette, typography, author details and layout defaults, the things you want identical across everything you make.

What this does not do#

• Carousels and single images only. Text posts and infographics appear in the picker as visibly unavailable rather than quietly failing on you.
• The ready-made template gallery is carousel-first. The single-image shelf may be empty; your own templates work for both.
• AI touch-ups in the editor require a brand voice, which is a paid-plan feature. Generation itself is not gated that way.
• Free-plan exports carry a mark. Generating, editing and re-exporting are otherwise unrestricted.
• It does not publish. The handoff to the composer carries the caption, not the artwork.
• Discarding a generated draft does not refund it. The charge lands when the text is produced, not when you keep it.

When something looks wrong#

"Insufficient credits" or "Too many requests." The first means what it says. Top up and try again. The second is a short cooling-off window after a burst of generations; wait a minute and it clears.

The generation failed or came back malformed. Messages like "AI returned an invalid carousel blueprint" mean the model produced something we refused to hand you. Nothing was charged. Press the button again, because these are usually one-off. If a URL keeps failing, the page is probably unreadable to the extractor: open it, copy the text, and use the By Text tab instead.

"No Brand Voice available" when you use an AI touch-up. Touch-ups are written in your voice, so one has to exist. Create it in Workspace and the editor picks it up on the next attempt. "No text to assist with" is its sibling. It means you asked for a rewrite of an empty field.

The export refuses with a message about your plan. You have used this month's renders; the message names the date the allowance resets. Editing and generating are unaffected. Only the render is capped.

A carousel will not take another slide. Twenty is the ceiling, in the editor and in the generator alike. Split the story in two, which usually reads better anyway.

Anything that does not match one of these is worth reporting: an export that never arrives, a slide that renders differently than it looked on the canvas, a piece missing from the library. Send it to support with the title of the piece and roughly when it happened.